How can underground culture be digitally preserved and made accessible?
In the Archive of Independent Publishing at the Hochschule für Künste Bremen, independent print media from the 1960s and 70s are stored in grey archivees. The work explores how digital technologies can provide access to information and change the archive of today.
In collaboration with Bremen's local cinema City 46, Radau Kollektiv is organizing a film evening that creates intersections between experimental film and music. Film sequences overlap in the poster and form an atmospheric motif. Designed with
Max Diemair.
By intertwining the statements of four designers and hackers together, a narrative takes form. The texts by and about Hackers & Designers, Sheila Levrant de Bretteville, McKenzie Wark and Ruben Pater can be read as a converation, discussion or manifest. The booklet is an experimental approach to different ways of reading and writing.
Garage was created on the basis of Robert Thorne‘s Two Lines Great Primer, No. 1, which is part of the type specimen Improved Printing Types (1803), a collection of early modern shapes.
Garage is inspired by the high-contrast form, and evolved into two stylistic sets that emphasize different characteristics. The typeface was later published in the ZHdK publication Is Every Typeface A Revival?
By bringing together multiple voices that speak about these terms we want to capture the poetics of feminist theory, move beyond linear reading and open an experimental approach towards building knowledge. Designed and developed with Greta Lüdemann
openspellbook.de
Poster for a techno party at P.ara Bremen. Organized by Radau Kollektiv, designed using the super.lig font (10).
A collection of texts from art schools across various parts of Europe is dissected and organized along a timeline. Selected quotes form a statement on design education, exploring its past, present, and future: from the Bauhaus movement to an approach driven by empathy.
Poster for the double lecture by Studio Pandan and Elias Erkan at lunchtime. With Maja Bäumker, NYC Typewriter.
HfK Bremen C.A.T.E. Lunch Talk Series No. 6
A geometric font, inspired by electronical music covers from the 00s.
A modular italic font with a 25° angle. Super.lig is characterized by its large number of ligatures and is named after the Swiss Super League.
A newspaper, based on the Atlas des Régions Naturelles, a photographic archive documenting rural areas in France. The double-page spreads contrast images from the categories heaps and remnants with images of discotheques. The size and placement are determined by an algorithm. The result is compositions that show the tristesse and beauty of agricultural areas. With Marina Müller and Sarah Iller.