How can underground culture be digitally preserved and made accessible?
In the Archive of Independent Publishing at the Hochschule für Künste Bremen, independent print media from the 1960s and 70s are stored in grey boxes. The work explores how digital technologies can provide access to information and change the archive of today.
The website will be public soon :)
In collaboration with Bremen’s local cinema City 46, Radau Kollektiv is organizing a film evening that creates intersections between experimental film and music. Film sequences overlap in the poster and form an atmospheric motif.
Designed with Max Diemair.
By intertwining the statements of four designers and hackers together, a narrative takes form. The texts by and about Hackers & Designers, Sheila Levrant de Bretteville, McKenzie Wark and Ruben Pater can be read as a converation, discussion or manifest. The booklet is an experimental approach to different ways of reading and writing.
Garage was created on the basis of Robert Thorne‘s Two Lines Great Primer, No. 1, which is part of the type specimen Improved Printing Types (1803), a collection of early modern shapes.
Garage is inspired by the high-contrast form, and evolved into two stylistic sets that emphasize different characteristics. The typeface was later published in the ZHdK publication Is Every Typeface A Revival?
By bringing together multiple voices that speak about these terms we want to capture the poetics of feminist theory, move beyond linear reading and open an experimental approach towards building knowledge. Designed and developed with Greta Lüdemann
openspellbook.de
Poster for a techno party at P.ara Bremen. Organized by Radau Kollektiv, designed using the super.lig font (10).
A collection of texts from art schools across various parts of Europe is dissected and organized along a timeline. Selected quotes form a statement on design education, exploring its past, present, and future: from the Bauhaus movement to an approach driven by empathy.
Poster for the double lecture by Studio Pandan and Elias Erkan at lunchtime. With Maja Bäumker, NYC Typewriter.
HfK Bremen C.A.T.E. Lunch Talk Series No. 6
A modular font, inspired by geometric typefaces from the 60s and 70s.
Website Design for the Bremen Nature Culture Lab, a laboratory for social and cultural anthropological as well as interdisciplinary scientific, environmental, medical and technological research,
foundet at the University Bremen. The Website shows upcoming and past events and talks and connects current research and projects.
naturenkulturen.de
A modular italic font with a 25° angle. Super.lig is characterized by its large number of ligatures and is named after the Swiss Super League.
Risography printes business cards and a hand-coded website represent the new identity of Susan Schädlich.
Three colors visualize the intersection of different key points in Susans Work, and serve as filter buttons in the Website.
susanschaedlich.de
Work in progress.
Hydrosocialities is a collaborative network that gathers together scholars across anthropology and geography in Germany and beyond. It aims to bridge established hydrological and scholarly divides across the marine and freshwater social sciences and humanities and thus thinks across salt and freshwater: oceans, rivers, lakes, lagoons, and deltas as well as rain, clouds and ice.
Design for a concert series at Lagerhaus in Bremen.
Organized by Radau Kollektiv, with artists Epilog, Mira Mann and Carls8erg.
The design focuses on the interplay of three different voices in the format of posters, motion and sound sensitive visuals. The layers interact and form varying images.
Font in use is OCR-X, designed by Eurostandard and Maximage.
Radau Lounge is a weekend filled with music and events featuring a variety of artists. The program includes a concert evening, a collective brunch, and a vinyl radio show.
Organized by Radau Kollektiv, with concerts & dj performances by agnes & mon1ka, Peeled Blank, Belia Winnewisser and luxus.
Poster and flyer design for the duo-show "Markierungen einiger Verluste", exhibiting works by Emilia Trog and Kristin Wenzel at the Kunstverein Gera. Designed with Max Diemair.
Programme booklet and visual identity for the Muniq Jazz Festival in 2026, initiated by munich-based jazz-collective NIQ Kollektiv. Design with and for WVH.
Coding of the website for the gallery space and exhibition platform Kunstverein 47m Contemporary, based in Leipzig. Website design and concept by Arto Schudy.